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It definitely touched my heart, and I wanted to do something. In this climate, in this world, I loved that young people – and especially this movement specifically – it was amazing for them to create this movement.
ENOLA GAY SONG STRANGER THINGS FULL
I love that you’re outspoken, that you embraced the Black Lives Matter movement with a full heart. Let’s see if they fall in love with Enola as much as I have fallen in love, but there’s definitely much more of a story to be told. Let’s see how people respond to the first one. So, how many “Enola” movies are you signed up to do? Because, this is a franchise in the making. You don’t have to have superpowers to be one. That’s what makes people superheroes, when they can come to terms with the fact that they’re not perfect, but they’re unapologetically themselves. I think Enola’s a superhero in her own right because she embraces every aspect of her flaws and her imperfections. It’s like Princess Leia - she’s my superhero too. I think that Audrey Hepburn was a superhero. Why do you say that?īecause you don’t have to have superpowers to be a superhero. One hundred percent, yeah! I think she’s more of a superhero than Eleven. There’s so many messages in there that you have to look for and find your one, but mine is definitely the biggest message of all, which was feminism. Enola is coming into it thinking, “How? Why?” She’s a new thinker she’s a wild child. She’s going into the city of London, where women aren’t listened to, nor respected, nor looked at as an equal. There’s a big message of feminism within the film, talking about how women were classed as uneducated back in the 1800s, and Enola was extremely educated, and so is her mother. I also had an amazing director, Harry Bradbeer, who made me feel very comfortable with expressing my opinion and thoughts and really valued them. But I had a great team, a crew that made me feel so comfortable with sharing my thoughts and ideas. I mean, there’s a set of nerves that come with it, just because you have experienced producers that are on your set and you just have to kind of fit in somehow. What does it feel like to have your voice heard in that way? I’ve never had an opportunity like that before. The producing conversation came around when my dad said, “You need to be a part of this as much as you can,” and I said, “You know, I completely agree.” It was really exciting because that meant I could be on-screen and still have my say off of screen. Young filmmakers should get the opportunity to tell their stories, and I’ve just been lucky enough to share mine. Age shouldn’t define whether you can do something or not. I think it’s important to have young producers because it gives youth an opportunity to tell their stories. Definitely quarantine has helped me focus more on that, taking time for myself. You don’t need thousands of people around you to keep you happy. But while filming this, I realized that actually the fact that she is alone, it helped her find herself. I think for teenagers right now, it’s a challenging time because you’re afraid to be alone. I learned that being alone is a good time to find yourself. What did you learn about yourself playing Enola? She’s unapologetically herself, and I love that about her.
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What don’t I like about Enola? She’s incredibly brave she has the will to be vulnerable her humor is funny. What I also knew is that I wanted to play her. I’d read the book a few years back, because my oldest sister, Paige, she read it and then told me to read it. Were you familiar with the “Enola Holmes” book series?